Park-land, (2024), carved from a 400 yr old windblown English oak from the historic landscaped deer park at Petworth, West Sussex. A commission from Montalba Architects with Anderson Real Estate for a sculptural reception desk within a commercial building in Century City, Los Angeles. Photo: Eric Wall for Montalba Architects.
Park-land, (2024), English oak, the making of. Photo: Matt Wreford.
Park-land, (2024), English oak, the making of. Photo: Matt Wreford.
Park-land, (2024), English oak, accessibility end of reception desk. Photo: Matt Wreford.
Park-land, (2024), English oak, carving detail. Photo: Matt Wreford.
Park-land, (2024), English oak, complete at The Woodcarvers Studio. Photo: Matt Wreford.
Park-land, (2024), English oak, complete at The Woodcarvers Studio. Photo: Matt Wreford.
Common Ground, (2023), carved from a walnut tree that spanned one garden boundary to another. Photo: Jacqui Hurst.
Common Ground, (2023), carving detail. Photo: Jacqui Hurst.
Common Ground, (2023), close-up. Photo: Jacqui Hurst.
Apology, (2023). 2.25m tall sculpture, carved from a single English oak tree, destined for a private garden near Midhurst, in which the oak grew. Photo: Jacqui Hurst. (Swiss sphere pictured in foreground)
Apology, (2023) details. Photo: Jacqui Hurst.
Apology, (2023) detail. Photo: Jacqui Hurst.
Hommage, (2023). 3m sculpture, carved in cedar, commission for a private residence in France. Photo: client.
Hommage, (2023) detail. Photo: client.
Scale Tree IV, (2022). 2.5m tall sculpture, carved from a single English oak tree, destined for a ‘nature biome’ in Saudi Arabia. Photo: Russell Sach for The Telegraph.
La Sfera (2022). Commission for a private garden in Città di Castello, Italy 2022. Photo: Alison Crowther.
La Sfera (2022). Commission for a private garden in Città di Castello, Italy 2022. Photo: Philip Aduitori
La Sfera (2022). Commission for a private garden in Città di Castello, Italy 2022. Photo: Philip Aduitori
La Sfera (2022). Commission for a private garden in Città di Castello, Italy 2022. Photo: Philip Aduitori
Xylopshere I (2019). Detail of carving. Photo: Jacqui Hurst
Xylosphere I (2019). Private collection, East Sussex. Photo: Jacqui Hurst.
Xylosphere I (2019). Detail of carving. Photo by Jacqui Hurst
Xylosphere I (2019). Detail of carving. Photo by Jacqui Hurst
Xylosphere I (2019). Detail of carving. Photo by Jacqui Hurst
Uovo (2022). Detail of carving. Photo: Jacqui Hurst
Uovo (2022). Private collection, East Sussex. Photo: Jacqui Hurst
Uovo (2022). Detail of carving. Photo: Jacqui Hurst.
Uovo (2022). Private collection, East Sussex. Photo: Jacqui Hurst.
Uovo (2022). Detail of carving. Photo: Jacqui Hurst.
The Jupiter Bench (2021). Glyndebourne. Photo: Jacqui Hurst
The Jupiter Bench (2021). Glyndebourne. Photo: Jacqui Hurst
The Jupiter Bench (2021). Glyndebourne. Photo: Jacqui Hurst
Kissing Benches (2018). Glyndebourne. Photo: Jacqui Hurst
Kissing Benches (2018). Glyndebourne. Photo: Jacqui Hurst
Kissing Benches (2018). Glyndebourne. Photo: Jacqui Hurst